Two Offerings, 1978
bronze, granite, 33.02 х 38.1 х 22.87 cm The helix as a symbol of the universe, the sacrificial fire, and two figures, one facing the… Read More »Two Offerings, 1978
bronze, granite, 33.02 х 38.1 х 22.87 cm The helix as a symbol of the universe, the sacrificial fire, and two figures, one facing the… Read More »Two Offerings, 1978
bronze, granite, 35.6 х 25.4 х 25.4 cm The “Courage of Full Vision” is the author’s interpretation that a strong personality can see what is… Read More »Courage of Full Vision, 1972
bronze, granite, 20.3 х 33.02 х 20.3 cm The symbolism of the lotus in art is pervasive. It is mainly associated with Buddhism, where the… Read More »The Lotos, 1978
gypsum, paint, 40,0х25,0х23,0 см The sculpture “Ukraine-Phoenix-Stork” took part in the competition for the best monument to Ukraine’s Independence and, if it won, could have… Read More »Ukraine-Phoenix-Stork, 1997
bronze, granite, 27.9 х 35.6 х 22.87 cm Using geometric shapes and stylised human figures in “Whence and Whither”, Mirtala conveys the ideas of the… Read More »Whence and Whither, 1978
bronze, granite, 30.48 х 55.88 х 30.8 cm The theme of overcoming the abyss as a symbol of misunderstanding, non-acceptance, and alienation is also present… Read More »Voice in the Wilderness, 2006
polymer, 66.04 х 114.3 х 45.72 cm The theme of overcoming the abyss as a symbol of misunderstanding, non-acceptance, and alienation is also present in… Read More »Voice in the Wilderness, 1982
bronze, granite, 38.1 х 35.6 х 20.3 cm In “Aspiration”, the author uses a spiral shape to reflect the “inescapable pull towards the Source…”. Mirtala… Read More »Aspiration, 1978
bronze, granite, 45.72 х 45.72 х 20.3 Urbanisation processes of the second half of the 20th century actively influenced artists’ works. The growth of megacities… Read More »Metropolis, 1972
bronze, granite, 22.87 х 22.87 х 7.62 сm The sculpture’s title, “Sweet Indolence”, refers to the famous Italian catchphrase Dolce far niente, often interpreted and… Read More »Sweet Indolence, 1964